Mỹ Điệu Ca Listening Party marked the first introduction to MONO’s second album. Soups developed the scenography around a listening-focused spatial format, moving away from the conventional separation between audience and stage.

The space was arranged as an open setting with different levels and surfaces for sitting. Benches, wooden platforms and woven mats were placed throughout the space, allowing the audience to choose where and how they wanted to listen.

Soft lighting and a subtle scent were integrated into the environment to support the listening experience without competing with the music. The listening party introduced the album and its visual world ahead of its three chapters: Khởi Điệu, Biến Điệu and Dư Điệu.